Very Thai author Philip Cornwel-Smith will take part in a panel discussion in the symposium for the 1st Bangkok Art Biennale (BAB) on 28 January 2019.
He also wrote an essay in the official BAB catalogue book, ‘Scary Monsters & Super Happy Art’, which touches upon the influence of popular culture as an increasing subject matter of Thai art.
Tags: #academic #art #Bangkok #culture #events #exhibitions #international #photography #popularculture #talks
Bangkok Design Week 2019 opens on Jan 26 at TCDC with the World Premiere of World In Motion: Bangkok, a documentary series about visual culture that had its Bangkok iteration filmed in the city in 2018. Very Thai author Philip Cornwel-Smith is interviewed in a segment filmed at Wat Maha Butr in Phrakhanong, Bangkok, site of the shrine to the ghost Mae Nak Phrakhanong.
After the screening, Philip will join the panel discussion with directors/producers Graham Elliot and Roswitha Rodrigues.
http://www.bangkokdesignweek.com/bkkdw/program/4290
Posted in: Blog, Events, Media,
Tags: #art #Bangkok #culture #design #documentaries #events #festivals #interviews #talks #tcdc #Thailand #video
Exhibition of ‘Very Thai’ style everyday objects from Thailand paired with ordinary objects from Germany. TCDC Chiang Mai’s show during Chiang Mai Design Week 2018. Running November 24-2018 till 3 February 2019.
Tags: #ChiangMai #design #events #exhibitions #Lanna #popularculture #streetlife #Thailand
Keynote talk by Philip Cornwel-Smith on ‘Thai Pop Icons: Mysteries & Masterkeys’ to an audience of new arrival expatriates in Bangkok. The event is hosted by BNH and held in BNH Hospital.
Tags: #culture #events #expatriates #medical tourism #popularculture #streetlife #talks #Thailand
Keynote talk by Philip Cornwel-Smith on ‘Thai Pop Icons: Mysteries & Masterkeys’ to an audience of new arrival expatriates in Bangkok. The event is hosted by BNH and held in BNH Hospital.
Tags: #culture #events #expatriates #medical tourism #popularculture #streetlife #talks #Thailand
An apparently misreported comment from a Bangkok city government official set off a storm of protest recently, when he was quote as saying all street food would be banned in the capital. The government has rushed to reassure roadside gourmands that this is not true – Bangkok is in fact planning an international street food festival. But street food vendors have been moved from some city centre areas, and the authorities say they will enforce stricter hygiene, and try to clear pavements where they are blocked, leaving lingering anxiety over the future of the quintessentially Bangkok cuisine.
The need to clear pavements and ensure food safety are legitimate concerns – but the BMA’s record of cultural sensitivity and flexibiity in enforcing its edicts is not encouraging. There are disagreements too over what defines ‘street food’ – some of the finest examples are produced in shophouses, open to the street.
Speakers:
Chawadee Nualkhair is the author of “Thailand’s Best Street Food” and writes the blog Bangkok Glutton.
Piyaluck Nakayodhin is the publisher of “Street Food: 39 Great Places Under 100 Bahts”.
Philip Cornwel-Smith, a freelance writer and editor specializing in culture and travel, is the author of “Very Thai. Everyday Popular Culture”.
David Thompson is a celebrity chef who has run several successful restaurants in Australia, UK and Thailand, including the Nahm restaurant in Bangkok, and is the author of “Thai Street Food”, a collection of this favorite 100 recipes of the street.
Join us for what promises to be an invigorating discussion with some of the city’s greatest street food afficionados.
Posted in: Blog, Events, Media,
Tags: #Bangkok #culture #events #FCCT #food #streetlife #Thailand #tourism #tradition
Philip gave a talk to the Soroptimists Bangkok at the Grand Hyatt Erawan hotel. The monochrome theme marked the mourning period for King Bhumibol.
Posted in: Blog,
Tags: #culture #events #popularculture #Thai language #Thailand #tradition
Bangkok experienced a new kind of festival over the middle weekend of February – an “ideas festival”. BangkokEdge combined diverse threads into an unusual mix: literary talks, city forums, lifestyle workshops, outdoor films, food trucks and big-name Thai singers. In this downcast period, thousands of Bangkokians relished the intelligent entertainment and cultural sophistication in a scene dominated by lowbrow commercial pop. It was such a success that BangkokEdge 2 is being planned for next year.
The festival’s name reflects its progressive tone. The talks had real substance, with edge. Hyeonseo Lee relived her escape from North Korea. Jung Chang spoke about the bans on her memoir Wild Swans and biography of Mao. Duangrit Bunnag’s provocative vision for a creative city, Bangkok Manifesto, drew cheers from a hall packed with young Thais. Panels discussed the threats to rivers and communities, the geo-poltitics of the new Asia, changes in Burma, and whether Bangkok really is a gay paradise or not.
Duangrit Bunnag announcing his ‘Bangkok Manifesto’ at Bangkok Edge
There was a focus on contemporary culture too. Edge is located is in the historic old city, on a riverside that is reviving into a creative district. The bands (headlined by Hugo, Palmy, Ornaree, Lek Greasy Cafe) were indy. We got to hear Kevin Kwan discuss his hi-so hit Crazy Rich Asians; thriller novelists John Burdett and Christopher Moore debate the rise of Bangkok Noir; and Veraporn Nitiprapha dissect her SEAWrite-winning novel ‘Blind Earthworm in a Labyrinth’.
A panel called ‘Bangkok’s Leading Edge’ explored Thai subcultures with three leading Thai creatives [disclosure: I was moderator]. Graffiti artist Alex Face spoke on street art, director Kongdej Jaturanrasmee on indie films, and nightlife impresario Pongsuang ‘Note’ Kunprasop on the rise of Thai fashion sense as seen from the DJ booth at his Dudesweet party nights.
Alex Face describing his graffiti with film director Kongdej Jaturanrasmee and Dudesweet party organiser Pongsuang ‘Note’ Kunprasop, moderated by Philip Cornwel-Smith
The festival founder, Mom Ratchawang Narisa Chakrabongse, comes from a literary background, as the publisher of River Books. She wanted to launch a writers festival in Bangkok, but the format hasn’t taken off here, despite a couple of low-key attempts like two WordPlay festivals at the Neilson Hays Library. The secret to BangkokEdge is that she conceived it not as “literary” but as an “ideas festival”.
Ideas do matter in Thai society, but it has traditionally been an oral culture, less focused on the written word. Even in the modern era that remains largely true. Historically, Thai books tended to be manuals: how-to guides in ritual, medical, farming, or some other practical need. Manuals still rule Bangkok bookshelves today, whether business, education, language, cookery, decor or guidebooks. The other historical format was graphic. The murals, banners and illustrated folding books of scripture and epic poems were essentially panel cartoons – and illustration still flourishes in comics, travelogues, cute indy pocketbooks and social media.
The festival format was also styled to appeal to Thai ways. “We staged Bangkok Edge as a ‘contemporary temple fair’,” says Narisa. “Many things are going on at the same time, so people can browse around and choose what appeals to them. Some may go for the talk, others for the music, or the films, or for the food. We have lots of things to nourish different interests.”
Veterans of film, arts and literary festivals are familiar with the fact that you can’t see all the talks, workshops, and other events. This was frustrating to some, but is unavoidable if a festival is to have diversity and buzz. Most of the Thai language programs were strung in a series at one venue. In the end, several sessions ended up bilingual. No matter: the talks and concerts have been uploaded to YouTube.
Among workshops on book design with Xavier Comas and crowdfunding with Jay Montonn, were cooking demonstrations. Chef Bo of Bo.lan and Err explained the essentials of Thai curry paste, while Robert Carmack and Morrison Polkinghorne, authors of ‘The Burma Cookbook’, demonstrated piquant recipes from Myanmar.
In between talks and workshops, festival-goers could mill around the site and grab lunch, drinks or snacks from the many food trucks and vendor carts set up along Maharat Road and in the MuseumSiam grounds. There were also stalls selling books, clothing, design items and ecological products in the vein of Bangkok’s pop-up market phenomenon.
A “chill pass” (B500 for the weekend) gave access to relax in the riverside grounds and beer garden of Chakrabongse Palace, with tours to the house being a hot ticket. To mark the fact that Saturday was Valentines Day, a live chat session on the music stage covered stories about how couples met, hosted by Hana Tassanawalai, wife of Hugo Chakrabongse.
The organisers had expected a few thousand visitors, figuring it was an untested concept, located in the old town, and would appeal to niche groups. The response was astonishing. The first day 17,000 people turned up, plus 12,000 on the Sunday. Evidently Bangkok relished having such an event.
“I just love that there’s a festival specially about my own city,” said Somporn, 27, who attended sessions on gentrification and about the river. Many gave feedback that they were especially pleased to have a festival about their city, where they could hear independent experts talk about issues that matter to them, and have the chance to question the speakers.
This runaway success encouraged the organisers to plan BangkokEdge2 on 4-5 February 2017. It will be held at the same venues, and with even more attractions planned for the weekend. Like its logo bridging Bangkok’s old and new skylines, the festival straddled the tensions between traditional and contemporary. Now with its own dedicated annual festival, Bangkok has another way to keep its edge.
This article was first posted in Bangkok 101 magazine’s website.
Tags: #Bangkok #culture #e-magazine #events #exhibitions #music #popularculture
Thailand’s first ‘Ideas Festival’, Bangkok Edge, will feature talks, workshops, music, film, tours and an exhibition, along with food and other entertainment on Feb 13-14, 2016.
On Feb 14 at 1-2pm, Very Thai author Philip Cornwel-Smith will host one of the panel discussions, ‘Where is Bangkok’s Leading Edge‘, with three Thai figures who are moving the culture forward. the talk will be at the Rachini School venue in the Tha Tien festival enclave.
Philip will look at how Thai trends emerge, become hip and then get accepted into the mainstream.
Pongsuang ‘Note’ Kunprasop the founder of Dudesweet nightlife theme party phenomenon will discuss changing fashion in the context of music.
Kongdej Jaturanrassmee, the film director of Tang Wong and Snap, among other acclaimed films, will look at the situation of art film in Thailand.
Alex Face, one of Thailand’s most prominent graffiti artists, gives his take on creating artistic space in public view.
https://www.facebook.com/bangkokedge/?fref=ts
Tags: #academic #art #Bangkok #culture #events #fashion #film #graffiti #music #nightlife #talks
Here is the full schedule of Bangkok Edge, Thailand’s first Ideas Festival.
Among all the talks and events, look out for Very Thai author Philip Cornwel-Smith, who will head a panel on the ‘leading edge’ of Bangkok’s popular culture on Sunday Feb 14 at 1-pm.
For details see:
https://www.facebook.com/bangkokedge/?fref=ts
Tags: #academic #Bangkok #culture #events #festivals #international #music #talks #Thailand
National Museum Volunteers Lecture series talk by Philip Cornwel-Smith about how popular culture artefacts have eventually come to be displayed, exhibited and treated as a serious aspect of Thai culture.
At the National Museum on Thursday morning of Nov 26, 2016, following a talk by Steve Van Beek on Thailand’s water culture.
Tags: #academic #culture #events #musuems #popularculture #talks #Thailand
My talk on the cultural filters involved in Thai design is now viewable online at You Tube:
https://www.youtube.com/watch?v=Kfp32Km69xU&feature=youtu.be
As part of the TCDC exhibition ‘hello World’, Philip Cornwel-Smith gives a talk today at TCDC on 8 March 2014. Called ’Very Thai Cultural Filters: How Hybrids preserve and project a sense of Thainess’, the talk goes into the ways that Thais are selective about what they import and adapt into hybrids.
Various Thai values, tastes and taboos act as filters to let in only part of the import while screening out aspects that don’t suit. This leads the talk to consider what cultural filters are needed in order to create designs, products and services that can appeal to the outside world while projecting a sense of Thainess. This means looking at what aspects of Thainess appeal (or not) to outsiders and how Thais might go about the tricky task of filtering their own cultural traits so that everyone benefits.
Staying true to type. BITS MMXIV – Bangkok International Typographic Symposium is happening on November 15 & 16 at BACC, plus a workshop day on the 14th. Speakers from local and international foundries tackle letterform issues from glyphs and the digital landscape to femininity in printing and typography as social activism.
Get inside the loop – go along.
BITS MMXIV International Conference
15 – 16 November 2014
BACC
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15 November 2014
Wee Viraporn
10.00 -11.30 am.
“Reflecting myself, according to others, through type”
To compare my relationship with type to a person, it is like having a very good friend. He’s been around me since before I became an art student. Even though we haven’t become best friends or business partners, he has always been there for me whenever I need help or need someone to play with.
In this experimental project, I will ask this friend to help me with expressing myself, according to how other friends see me.
—–
Catherine Dixon
11.30 -12.30 am.
“Hands-on: typography as social activism”
With more and more of modern daily life now managed for us digitally, so a converse fascination with the analogue in typography and lettering practice has grown, especially in relation to letterpress printing. So great is current designerly enthusiasm for such hands-on approaches that many educational institutions are now seeking to reinstate letterpress technologies alongside their digital contemporaries. This talk explores the social potential of engaging with typography in this hands-on way, from both a UK educational perspective and beyond – featured projects including a workshop in a Brazilian slum where an old press is helping to build community, and the vibrant political activism evident in design studios in Buenos Aires and Barcelona.
—–
Julius Hon-Man Hui
2.00 – 3.00 pm.
“In between the East & West: Dalton Maag’s Chinese type design”
Those are challenging years to people at Dalton Maag – they have been worked out giant size font projects that cover almost all the scripts in the world, notably the Nokia Pure, HP Simplified and Intel Sans.
Chinese is one of the most challenging scrips for DaMa people – huge character set, complex structure, loose system, a completely different aesthetic to western type, and lot of different industrial standard to fulfil.
Font developer and Chinese script project lead Julius Hui will share DaMa’s experience in tackling Chinese script’s design problems, including many the many perspective of Latin-Chinese matching, which should be the very first time to most BITS audience.
—–
Danh Hong
3.00 – 4.00 pm.
“Khmer UI font for Small Device”
UI font is designed to reduce the overall body height of text, and allow Khmer to have descender and ascender-lines closer to other scripts. It also allows their use in UI components where vertical space is a premium.
—–
Bruno Maag
4.00 – 5.00 pm.
“Type in a digital landscape”
The presentation explores how the tone of voice of a typeface can be expressed in a medium that has broad parameters, asks how technology hinders or assists the reproduction of fonts, and asks if fonts can be responsive.
The discussion topics are set against a background of Bruno Maag’s experience creating fonts for digital usage as far back as 1995, and Dalton Maag’s more recent experience working on projects with Ubuntu, Nokia, Intel and HP.
—————
16 November 2014
Roger Black
10.30 – 11.30 am.
“Your type is your brand”
Business people still think tat their products and services are their brands. A little industrial design, a little packaging, and the brand emerges. But in the new information economy, services are digital, and products are displayed on flat screens, with type. Customer experience becomes user experience. Content is king. So that makes design . . . queen?
Considering the amount of interaction with customers that involves fonts, it’s a wonder that more enterprises have not invested in unique typefaces. Custom fonts. Most still make do with the great number of typefaces available in the analog world. It’s possible to create an individual look in print, on products, in stores and advertising, but only a fraction of the the fonts are available as web fonts. So we see a lot of Georgia and Verdana . . . and Arial.
Roger Black talks about some of the history of type branding. He recounts case studies in publication design, where a particular voice and personality has been achieved through a typeface or typographical style. He shows examples of custom fonts used for an entire brand—from the logotype to the digital UI. And finally he takes up the issue of Unicode type branding, where the design has to combine glyphs for Latin, CKJ, Hindic, Arabic and the so-called minority scripts.
A brand, it’s been said, is what people think of you when you are not there. Black shows how type branding can endure.
—–
Thanarat Vachiruckul
11.30 -12.30 am.
“From user to producer”
Although, trial and error experience is an old story that have been told many times over in type design field. This version will be slightly different in his own right. From choosing and applying fonts to the layout to designing and publishing his own fonts worldwide; the story of a Thai type designer who utilizes research and knowledge in creating fonts and turning them into a full-time business as a partner of Katatrad Foundry. The stuffs along the way are always more interesting than the outcome.
—–
Georg Seifert
2.00 – 3.00 pm.
“Why does Glyphs support Thai?”
The story why I started making Glyphs, why it was easy to support Asian languages and what I learned on the way.
—–
Piyaluk Benjadol
3.00 – 4.00 pm.
“The Story of Yaw Ying (ญ): How Learning Alphabet relates to Thai Femininity Discourses?” แกะรอย ญ หญิง: การเรียนรู้ตัวอักษรสัมพันธ์กับวาทกรรมความเป็นเพศหญิงของไทยอย่างไร?
This design research explores 114-year history of one letter out of 44 Thai alphabets, Yaw Ying (ญ), in pre-school alphabet primers as the main visual resources. As a language learning tool before we can read, write, or speak, we become familiar with each letter by memorizing its shape, the sound of its pronunciation, its accompanying word, and the image illustrating the meaning of the word. Occasionally, the rhyming words are attached in order to make them easy to be learned by rote. The relations between texts and images, as verbal and non-verbal codes, in these Yaw Ying (ญ) learning tools lead us to understand how these design artifacts construct the meaning of women through their visual representations. The in-depth investigations of Yaw Ying (ญ) primer pages along with other graphic design works, such as posters, book covers, and advertisements, reveal patterns of paradigmatic and syntagmatic relations of visual languages representing social discourses about Thai women. Considering this design research as a case study, its process of visual deconstruction can be used as a model for designers, design curators, or design educators to understand how other design artifacts contextually related to cultural and social issues.
—–
David Carson
4.00 – 5.00 pm.
“Trusting Your Own Intuition”
How to be truly original and deliver your best work while having fun doing it. Where to find an inspiration and how to convert it into your work. This lecture is a fly over tour through out personal archive of his own work. David will share his experience on how to push yourself to the limit and still make the work enjoyable. He will unveil the work process that delivers the visual sensation that we all know. The audience will get to hear the in depth explanation on why things look the they way they are.
Posted in: Blog,
Tags: #academic #BACC #book #culture #design #events #international #Thailand
Thailand’s ‘indy’ subculture now spans two decades. Its impact on film, music, fashion, media and the arts have been tracked throughout by writer/editor Philip Cornwel-Smith, in Bangkok Metro Magazine, Time Out Bangkok guidebook and his book Very Thai: Everyday Popular Culture. The ‘From T-Pop to Indy’ chapter from Very Thai was reproduced in a book by MTV about Cool Asia; the chapter’s revision in Very Thai’s 2nd edition shows how indy has changed over time. In this talk, Philip addresses the status of Thai indy as a cultural movement, and questions whether it has declined or matured.
The talk is in Lecture Theatre 762, Top floor of building 7 above BUG (Bkk Uni Gallery), reached by the entrance off the intersection of Kluaynamthai with Rama IV Road.
It’s open to the public but within a fixed student time slot, so it’ll start promptly. See you indie fans there!
Tags: #academic #art #Bangkok #events #indy #talks #Thailand
Bangkok-based British writer Philip Cornwel-Smith will give an illustrated talk about the dramatic transformations in Thailand he has witnessed as author/editor of Bangkok Metro magazine, Time Out Bangkok guidebook, and the influential bestselling book Very Thai: Everyday Popular Culture (www.verythai.com). Instead of the sensational oriental clichés, he views Thai ways through the lens of its hybrid pop, social tensions and quirky urban culture. There’ll be time at the end to discuss how Thailand’s transformation compares to Bali.
Recent upheavals in Thailand have brought world attention to new stories as ordinary people express themselves and as Bangkok went chic and became the most visited city on the planet. The tropical rural idyll has urbanized and globalised, and taboo things gone mainstream, from yaa dong tonic whisky to magical tattoos. Yet everyday life in Thailand continues to beguile with its wacky hybrids, sense of fun, and unexpected quirks.
A resident of 20-years, Philip Cornwel-Smith has had an insider vantage point to see these changes. His book Very Thai, now in an updated and expanded 2nd edition, has become to the go-to reference and style guide on Thai popular culture.
Very Thai is published by River Books. Copies will be on sale, which Philip can sign.
verythai.com has full details and streams social media by followers of the book using #verythai on Twitter, Facebook, Tumblr and Instagram.
Philip can be contacted via verythai.com , phone +62-821-4444 2022
Posted in: Blog, Events, Uncategorized,
The author of Very Thai will talk about the book and the current situation of Thai popular culture in Bar Luna at Casa Luna, Jalan Raya Ubud, in the cultural centre of Ubud on the Indonesian island of Bali. The talk will be on September 29 at 7.30pm and copies of Very Thai will be available for sale and signature. The talk is behind held by the organisers of Ubud Writers & Readers Festival, which starts a few days later on Oct 1-5.
For festival details see http://www.ubudwritersfestival.com
Nine top design gurus receive the book as a welcome gift by TCDC (Thailand Creative & Design Centre) at the 2014 edition of its Annual Symposium Creativities Unfold on 30-31 August 2014. The speakers were:
Patricia Moore (Moore Design Associates),
Koichiro Tanaka (Uniqlo’s global digital campaign creative),
Jan Chipchase (Studio Radio Durans),
Jinhyun Jeon (senses design expert),
Daan Roosegaarde (Studio Roosegaarde),
Edward Barber (Barber Ogersby, designers of 2012 Olympic torch),
Koert van Mensvoort (Next Nature Network),
Krating Poonpol (Disrupt University),
Patrick Waterhouse (editor, Colors magazine)
“Out of all the conferences I’ve been to over 15 years this is the best, most useful welcome gift I’ve received,” remarked Jan Chipchase, who endorsed the book as “A must-read for any trend or research agency that wants their team to better understand Thailand.”
Very Thai has also been presented by TCDC to speakers at some earlier Creativities Unfolds symposiums.
The interactive website verythai.com goes live, with full information about the book Very Thai and its many related events, talks, exhibitions, reviews, features, videos and documentary coverage.
Very Thai has had unprecedented involvement and loyalty by its readers for a book on Thailand. To repay that fanbase, now the author offers ways for the public to engage with the book online. You can interact with the VeryThai world in various ways, with live streaming from social media onto the ‘Social’ page of the website. You can post through the Very Thai fanpage on Facebook, tweet using the #verythai hashtag, and post pictures on Instagram using the #verythai tag. All these will stream live through verythai.com. Readers can also post reviews of Very Thai that will appear under Reader Reviews in the Reviews page of the website. You can also send in updates to the author, and suggest topics for future versions of Very Thai and related new books.
Bangkok’s oldest Rotary Club hosted a talk by Philip Cornwel-Smith called ‘Very Thai Thai: How Pop Became Culture’. Held at the Grand Hyatt Erawan Hotel in Bangkok, the after-lunch speech marked the first time in nearly a year that the author was spotted wearing a suit and tie.
(more…)
Posted in: Events,
The talk ‘Very Thai Cultural Filters: How Hybrids preserve and project a sense of Thainess’ by Philip Cornwel-Smith at TCDC on March 8 2014 sparked the Thai blogger GeekJuggler to write a post that then went viral.
Geek Juggler was animated by the idea that it is socially easier for non-Thais to do Thai-style design than for Thai designers, whose creativity is constrained by social pressures and taboos about secular use of forms related to Thai beliefs. He and most of the chat thread responders seemed to regard this as probably true and a sad situation in which it is hard to reconcile tradition and modernity. Many in the chat thread reposted the review to other blogs.
Geek Juggler “วิถีแบบไทยๆ” กับคำตอบว่าทำไมความคิดใหม่ๆ ถึงเกิดขึ้นได้ยากบนแผ่นดินนี้
GeekJuggler: Deconstruction is desecration?
reposted to Zero The Zero blog
reposted to Rand’s Random Blog
The blogger Geek Juggler gave a positive response in his Thai-language blog to my talk ‘Very Thai: Cultural Filters’ at TCDC (Thailand Creative & Design Centre) in Bangkok on 8 March 2014. The 80-seat venue was booked out . The blogger took up aspects of the talk to expand upon with his own views, focusing on the cultural factors that make it socially difficult for Thai designers to filter out aspects of their culture that won’t appeal to outsiders, while foreign designers of Thai-style things have more social freedom to deconstruct and reinterpret Thai traits for contemporary designs.
https://geekjuggler.wordpress.com/2014/03/10/deconstruct-is-descrete/
Posted in: Blog,
Philip Cornwel-Smith will give a talk on 6 March 2014 at The National Museum for the National Museum Volunteers’ postponed Lecture Series. The talk was about the phases of Thai popular culture that Philip has witnessed during the past two decades in Bangkok.
Posted in: Events,
24 Sept 2012-Feb 2013
Literally millions of Bangkokians and visitors will have passed by and seen this exhibition, which was visible both at ground level on the plaza on Bangkok’s busiest corner, and also from passing vehicles and from the overhead walkway beneath the SkyTrain.
Tags: #Bangkok #book #events #exhibitions #tourism
as PDF: A Woman Learning Thai… and some men too ;-)Very Thai Photo Exhibition: Bangkok | Women Learn Thai
http://womenlearnthai.com/index.php/very-thai-photo-exhibition-bangkok/#ixzz362CEpoTn
As a tourist to Thailand I enjoyed experiencing a country so very different from where I was living at the time, Brunei Darussalam. Being able to buy booze without leaving the country was also an attraction.
But when I finally moved to Thailand I switched from a carefree tourist mindset to expat mode. The country around me, previously a kaleidyscope of sounds, smells, and clashing colours, started to come into focus.
Along with the focus came questions. Like, why do Thai taxis have those dangly bits hanging from their mirrors? And why do beggars crawl face first along the sidewalk? And why are Thai police uniforms so darn tight?
When I asked other expats their answer was always the illuminating (not) “I dunno”. Being me, I needed more, so I started my own search into the why’s of Thailand. Hit and miss, the answers to a few Thai quirks are discussed in posts on WLT.
Then I found Very Thai: Everyday Popular Culture, by Philip Cornwel-Smith. Very Thai answered many of my “why” questions, and some I hadn’t thought of yet. And now I hear there’s a Very Bangkok in the works. Excellent!
These days, when a new expat breezes into Thailand, I don’t arrive at their housewarming party with the obligatory bottle of wine and chocolates. I gift them with a copy of Very Thai instead.
On Sunday I jumped into a taxi to view the Very Thai Exhibition in front of ZEN in Bangkok.
You really can’t miss it as the presentation is well placed.
It’s a small exhibition with larger than life-sized photos from Very Thai.
I wasn’t the only one curious, a stream of viewers kept popping in front of my camera.
Many found it easy to walk along the exhibition slowly, savoring the eyecandy as they went.
This photo was my favourite eyecandy of all.
While there it came to me that the photos from the exhibition would be the perfect backdrop for smartphone snappers in Thailand. Because, except for in grocery stores (where it’s off-limits to take photos of veggies) you’ll find people posing in front of just about anything. And I still don’t know why that is.
To get all the lastest news about Very Bangkok and Very Thai, follow Philip on Facebook at VeryThaiBook or on twitter @verybangkok, or bookmark his website: Very Thai.
Sidenote: the editor of Very Thai is Alex Kerr. You might remember the review I wrote of Alex’s excellent Bangkok Found awhile back. And seriously, if you want to know more about Thailand, you couldn’t go wrong with both Very Thai and Bangkok Found on your bookshelf.
Disclaimer: The last photo has been doctored. The lovely Thai lass generously posed in front of a different set of photos but I felt driven to move her back a bit (all the way to the beginning of the exhibition).
That was extremely beautiful and great photo exhibition in Bangkok. The place are great and good for relaxation. Thanks a lot for sharing this!
Thanks for stopping by Danyelle 🙂 The exhibitions is so colourful and fun, I’m expecting to see photos on FB with different people posing in front of the posters.
Love that exhibition! I have not yet read the book, though I really REALLY would love to get my hands on a copy. I plan to buy one when we visit again.
Another book with great photos is Bangkok Inside Out by Daniel Ziv and Guy Sharett, but I think it is out of print. It caused a stir with Thailand’s Ministry of Culture with the photos of some of the sex workers in the red-light district.
Amy recently posted…Modifying food choices even further
Hi Amy. It if you enjoyed Bangkok Inside Out, you are going to be blown away by Very Thai. Philip has a passion for hunting down the tiny details of the popular culture and history of Thailand and it shows in the book. You can get Very Thai on amazon.com but if that’s what’ll take you to get back here, even for a visit, then I’m all for it 🙂
Catherine recently posted…Thai Navy Dances Gangnam Style: Youtube Sensations
Catherine – Thailand has many strange ways and many unanswered questions including the one shown in your bottom photo. Why do Thai women make the Thai two finger salute when posing for photos and what does it mean? I tried to answer that one myself a couple of years back and came to the conclusion it dated back to Siam’s war with Burma in 1767 and their(Siam’s) soldiers index and middle fingers used to draw a bow. If taken prisoner the Burmese would cut them off. However, right or wrong there’s still many answers to Thais strange quirks I’d like to know.
Nice post.
Martyn recently posted…The Sea Side 2 Restaurant in Udon Thani
Thanks Martyn. I remember when you wrote the article about the two fingered salute. When I went to Burma early this year I took a photo of a Burmese girl who gave the same. As soon as I pointed my camera at her, just like the gal in the photo above, she whipped out those two fingers. So perhaps it’s doesn’t have anything to do with Burma vrs Thailand? Or… it could be that she knows nothing of the history behind the finger salute. An unsolved mystery.
Catherine – Perhaps the Burmese archers made the same sign back to the Siamese. Here’s the link to the post;
http://www.thaisabai.org/2009/09/the-thai-two-finger-salute/
Martyn recently posted…The Sea Side 2 Restaurant in Udon Thani
Martyn, that could be it. Back then armies fought mostly close together (unlike now). So both sides taunting each other makes sense. I need to reread Very Thai to see if there was a mention anywhere (it’s been years).
Catherine Wentworth recently posted…Review: Language Learning Log
I bought this book as a present for my parents on my first stay in Thailand. Disappointingly, they never gave it more than a cursory look. Such a shame as I think it still holds up as one of the best insights into Thai culture available in printed form. Your idea of using it as a housewarming gift, Cat, is a magnificent one too. Here’s hoping Very Bangkok is out by the time I make my next trip!
Also if anyone’s still reading this thread, Alex Kerr is the author of a couple of excellent books on Japanese culture (Lost Japan is one, the other slips my mind just now (maybe it’s called Dogs and Demons… not sure). Highly recommended if Japanese culture interests you.
Posted in: Blog, Events, Reviews,
Tags: #Bangkok #blogs #book #events #exhibitions #international #reviews #Thailand
One of the best books about Thai culture and life, Very Thai by Philip Cornwel-Smith, now has a photo exhibition in front of ZEN in Bangkok. The exhibition runs from now until 6th December 2012. ZEN is part of the CentralWorld complex and has easy access from BTS Chidlom. The free exhibition is outside so check the weather report first. For more information, check out the Facebook page for Very Thai.
Posted in: Blog, Events, Reviews,
Tags: #Bangkok #blogs #book #events #exhibitions #reviews #Thailand #tourism
January 19th @ National Museum, BKK: “The Thai Hybrid”
If I was still in Bangers I’d surely hit this up! Anybody read ‘Very Thai’? What an excellent book. As a member of the National Museum Volunteers (I trained as a museum guide) I get these bulletins. This one caught my eye and I thought I’d share it on the various forums.
Posted in: Reviews,
A contemporary art exhibition by lecturers from department of printmaking, painting and sculpture, faculty of fine arts, Chiang Mai university. Ajarn Kade made Very Thai book his exhibit contribution to an exhibition of works on paper about Thainess.
A copy of Very Thai mounted on a utility box was Ajarn Kade’s exhibit at this international exhibition of works on paper.
Posted in: Events,
‘Somewhere Thai: Tools to Untie Thainess’ by Philip Cornwel-Smith
The Graphic Design Association of Thailand held a 2-day symposium on Thainess in graphic design, called Somewhere Thai. One of only two western speakers among the Thai program at Bangkok Art & Culture Centre, Philip Cornwel-Smith spoke about ‘Tools to Untie Thainess: How I Wrote Very Thai’, translated by Thai typographer Anuthin Wongsankakon.
http://en.bacc.or.th/event/IMTGD®FORUM-2010-SOMEWHERE-THAI.html
http://thaigraphicdesigner.wordpress.com
IMTGD®FORUM 2010: SOMEWHERE THAI
Initiated by Santi Lawrachawee
10.30 am – 7 pm
Organized by Practical Design Studio
in associated with Thai Graphic Designer Association and Office of Contemporary Art and Culture, Ministry of Culture
ThaiGA in corporation with Office of Contemporary Art and Culture (OCAC), Ministry of Culture, Bangkok Art and Cultural Center (BACC), and Practical Design Studio has launched “I’m a Thai graphic designer project 2010” under the topic of IMTGD®2010 : Somewhere Thai.
– See more at: http://en.bacc.or.th/event/IMTGD%C2%AEFORUM-2010-SOMEWHERE-THAI.html#sthash.yI720b37.dpuf
IMTGD®Forum will be held on September 25-26, 2010 at Auditorium Hall, Bangkok Art and Culture Centre (BACC). More than 60 guest speakers will join the event. Somewhere Thai is the first conference where more than 60 outstanding graphic designers, academicians, cartoonists, editors and musicians will openly share their ideas on Thai identity in design works. Foreign guest speakers will also be invited to exchange their ideas on the same topic in order to provide primary data for future research and forthcoming creative works. Speaker List: Anusorn Tipayanon Anuthin Wongsunkakon Be Our Friend Studio Chatchaval Khonkajee Chaiyot Itworaphan Craftsmanship studio DesignLab Ductstore Ekaluck Peanpanawate Farmgroup G49 Kelvin Wong Koichi Shimizu (Japan) & Thanaraj Vangsiripaisal LIKAYBINDERY Nutjarus Eangmahassakul Nuts Society Opas Limpi-Angkanan Pairoj Pittayamatee Philip Cornwel-Smith Pichaya Suphavanij Pongtorn Hiranpruek Pongprom Sanitwong na Ayuthaya Practical Prinya Rojarayanont Roj siamruay Rukkit Kuanhawate Sethapong Povatong Siam Attariya Slowmotion Songsin Tiewsomboon Surat Tomornsuk Thanaboon Somboon Vichean Tow Vip Buraphadeja Waroot Phanyarachun We too are Stardust Wee Viraporn Xavier Comas (Spain) Zeongklod Bangyikhan
*Admission is free. **For more information, please visit www.imtgd.org or Facebook I am Thai graphic designer. ***Person reserving a seat via somewherethai@gmail.com will get a special premium gift.
for more information: Tel. 02 9382300-4 ext.1003 Fax. 02 9389522 Email: info@practical-studio.com
Posted in: Events,
Very Thai book featured as an exhibit in this exhibition of found materials that survived the fires and crackdown of 19 May 2010 at Ratchaprasong and Siam Square. The semi-charred copy of very Thai was found in a shop in the gutted Siam Theatre complex by Chat Room gallery owner Jeff Gompertz, who curated it in his segment of the Proxy show called ‘Body Doubles’, in which objects that survived the fires and were damaged by the flames and smoke – including that scorched copy of Very Thai alongside showroom dummies, melted signs and the Siam Theatre’s vintage 7″ vinyl single of the Thai anthems – act as stand-ins for the people damaged by the incident.
PDF of review: Proxy: Reflections in the aftermath | CNN Travel 2
(more…)
Posted in: Events,
Held at MR Kukrit Pramoj House, Bangkok. Curated by Tang Fu Kuen.
Fahmi Fadzil performs Wayang Buku at LIB
Azmyl Yunor and Fahmi Fadzil developed Wayang Buku in 2006 as a means to investigate the performance and performativity of books.
Each book represents a character in a version of traditional Malay puppet theatre, in a performance that works on multiple levels. Each static book cover represents one of the static images of a shadow puppet character from a classical epic like the Ramayana or Mahabharata. Then the interaction of the covers-as-characters provides another layer of interpretation onto the traditional story. Like a traditional dalang puppet-master, Fahmi both narrates the story and voices the characters as he manipulates the books so that their covers resemble the moving shadow puppets. The book covers are not shown in shadow, but visible to the audience in the same way as shadow puppets are often performed in front of a screen so that their coloured decoration is visible to the audience.
Fahmi chose Very Thai to represent the Tree of Life character, what the Thais call Kalapapruek, due to the multiple images in its cover design.
The production was staged by the curator/dramaturg Tang Fu Kuen in the sala pavilion built by the late author, performer and statesman MR Kukrit Pramoj in his home for the staging of khon masked dance of the Ramayana epic – a suitable location of this reinterpretation of traditional Southeast Asian performance.
Tags: #Bangkok #events #international #Malaysia #Performance #tradition
A talk at Siam Society on 15 September 2005 by Philip Cornwel-Smith
The author will give an insight into the value of everyday contemporary things in building a more inclusive, up-to-date picture of Thai culture, society and history. Exploring his passion for all things Thai, Philip Cornwel-Smith traces the origins of what you find in the street, the home, the shop and the bar and on TV.
Admission B150, or free to Siam Society Members.
Tags: #academic #Bangkok #culture #events #SiamSociety #talks
Bangkok Bangkok: De Markten, KunstenFESTIVALdesArts in Brussel | Asia Art Archive
‘Bangkok, Bangkok’ is an exhibition which sketches out the contours of an incomplete and imperfect city. The Asian metropolis is known as a gateway or transit zone for travellers in South East Asia, but Bangkok is rarely their end destination. Eight Thai artists brought together in Brussels are using cinema, photography and video either live or online to evoke the decline and renaissance of this international city, with humour and sarcasm. The artists will each be giving their personal vision of the many changes that have disfigured Bangkok but celebrating its chaotic charm at the same time.
Thailand began to suffer from economical turbulence since the mid 1990s. Its urban landscape changed drastically due to economic breakdown. Urban ghosts emerged and remained as incurable scars of the city. A “self-organized” city dreamed up by William Lim, a Singaporean architect, as a post-modem city, Bangkok takes its charm from its chaotic disorganisation, its accessibility to both local and overseas visitors. Rarely a destination in itself for visitors, Bangkok enjoys its status as a gateway, and a transit zone for those who want to mooch around the Southeast Asian Countries. The city lacks of completeness and perfection. We all have something to complain about, from the sewer system and the streets, to the sky train and the authority that runs it.
‘Bangkok, Bangkok’ is an attempt to introduce contemporary art by Bangkok-based artists whose work deals with this city, people, lifestyle, mentality, from various approaches. As citizens of this city, and witnesses to its fast paced growth, collapse, and revival, young artists portray their point of view towards such changes. They investigate the urban condition and lifestyles in the city and its surrounding area through photography, video and film imbued with humour, satire and critique. They also seek proximity and interaction with Brussels audiences by working with local people.
The exhibition consists of two parts: urban landscape and cultural landscape. In the section on urban landscape, images of Bangkok from the economic crisis to the present day will be represented by photography in Manit Sriwanichpoom’s Dream Interruptus and in his publication, Bangkok in Black and White. Manit, who began his career as a photojournalist, has always been interested in social and political issues at both local and international level. This series is one of his most important if obscure works, though it is overshadowed by his famous Pink Man photographic series. For its part, Vanchit Jibby Yunibandhu’s video work shows us images of the city from different viewpoints. About Bangkok that I think I know deals with her personal experience with the city whilst also embodying an attempt to re-orientate herself after the rapid changes of the last ten years. In stark contrast to Vanchits work, in ‘If there is no corruption’ Wit Pimkanchanapong creates a pseudo-Bangkok Metropolitan subway system to pour critique and satire on the existing system and its mass transport infrastructure in this megacity, as well as its urban planning, and administration. Kamol Phaosavasdi, on the other hand, explores Bangkok urban situation differently. He juxtaposes rush hour of Bangkok by using video installation with other real time ambient of his exhibition in Bangkok, ‘Here and Now’, with the recreated fluxes of unknown scripts. In his ‘techno temple’, Kamol juxtaposed the time based video of three images, turning Bangkok chaotic atmosphere into a temple.
Kornkrit Jianpinidnan, a young fashion photographer, will present a wide range of portraits of Bangkok’s younger generation, both Bangkokian and expatriates, in their most intimate moments. Kornkrit asked them to call him up when they were ready to be photographed. The idea was to capture the point of transition between the public and the private, as decided by each individual, and to highlight the sense of alienation. Prapon Kumjim will work with Brussels audiences to complete their projects, which they began in Bangkok. Prapon Kumjim is a lens-based artist who explores his nomadic experience and our media-centred society in an attempt to blur the divide between art and film. As part of his cultural interaction project, he will ask people from Brussels to take pictures of their everyday activities. Prapon will finally re-photograph and edit these as in a storyboard format. Thasnai, on the other hand, approaches the community in a different way. As an artist actively taking part in a social, anthropological and research-based project, his works explore cultural misinterpretation and its idiosyncrasy, creating an interesting dialogue between the different cities in the world and their perception of Thailand. The project in Brussels will address the idea of cultural translation and their perception of each nation/ narration from multi-cultural background.
To sum up with both part of the show, Vasan Sittikhet, a social oriented artist, and performance artist, will perform the puppet show parodying the political situation in Thailand. This project will be an interesting metaphor for audience, to rethink about what’s really going on behind the land of smiles.
Curator: Grithiya Gaweewong
Artists: Manit SRIWANICHPOOM(มานิต ศรีวานิชภูมิ), Wit PIMKANCHANAPONG(วิชญ์ พิมพ์กาญจนพงศ์), Jibby YUNIBANDHU,Kornkrit JIANPINIDNAN(กรกฤช เจียรพินิจนันท์), Prapon KUMJIM(ประพล คำจิ่ม), Thasnai SETHASEREE, Gridthiya GAWEEWONG(กฤติยา กาวีวงศ์)
Tags: #art #Bangkok #culture #events #exhibitions #international
Opening: 8 Feb 2004, 7pm (Barcelona time) - with AboutTV live! from Barcelona under sub-channel: Bangkok, Bangkok at La Capella, Barcelona Watch the interview with participating artists and curator in archived section. More information will be added during the whole month of February. The project is part of a cultural exchange program between Bangkok and Barcelona.
FROM ASIAN ART ARCHIVE:
Bangkok, Bangkok | Asia Art Archive
Bangkok, Bangkok is an exhibition of contemporary art and films by Bangkok-based artists. It is the first chapter inRoundabout Encounter, an exchange program between Bangkok and Barcelona, initiated by Marti Peran, the program director for this project on behalf of the city of Barcelona, in collaboration with Rirkrit Tiravanija, a renowned New-York based Thai artist. The initiative resulted in many layers of networking in both local and international contexts. The present catalogue includes artist biographies.
Curators: Klaomard Yipintsoi, Grithiya Gaweewong, Marti Peran
A Tale of Two Cities: Bangkom & Barcelona – Klaomard YIPINTSOI
Idea of Barcelona… With Art in the Background – Marti PERAN
Bangkok, Bangkok – Gridthiya GAWEEWONG(กฤติยา กาวีวงศ์)
Artists: Manit SRIWANICHPOOM(มานิต ศรีวานิชภูมิ), Wit PIMKANCHANAPONG(วิชญ์ พิมพ์กาญจนพงศ์), Jibby YUNIBANDHU,Kornkrit JIANPINIDNAN(กรกฤช เจียรพินิจนันท์), Prapon KUMJIM(ประพล คำจิ่ม), Thasnai SETHASEREE, Gridthiya GAWEEWONG(กฤติยา กาวีวงศ์)
Images from Very Thai used in the isntallation by Prapon Kumjim. A copyt of Very Thai displayed as an exhibit on the table in the exhibition.
Posted in: Events,
Tags: #art #Bangkok #culture #events #exhibitions #international
Themed party and photo exhibition held at Jim Thompson House to celebrate publication day.
A huge crowd turned out for the official launch of Very Thai, held on 20 December 2004 at Jim Thompson House Museum. The event ran all evening from dusk till 11pm, with a couple of hundred guests from the media, arts, Thai society, expat circles and celebrities.
The themes of the entertainment and decoration – and even some costumes – drew from chapters in the book in a ‘temple fair’ concept. Guests ate streetfood from vendor carts and drank shots of yaa dong herbal whisky and all other drinks from bags – wine and beer included – served by staff from bags slung by elastic bands from nails in blue pipes carried through the throng. Books hung in bags from the trees along with multi-colour fluorescent tubes like a temple fair. Candle stands and flower displays were also handmade for the event from blue pipes. A blind band serenaded the crowd all night, and a clairvoyant read fortunes. Among the guests in ‘theme’ were appearances by celebrities (Hugo Chakra, Pop Areya Jumsai), hi-society ladies (notably Khunying Rose), the reigning Miss Jumbo Queen (beauty pageant winner for women over 90kg with the grace of an elephant), and the motocycle taxi vest worn by author Philip.
The official host, William Klausner, President of the James HW Thompson Foundation, presided over the event, introducing publisher Narisa Chakrabongse of River Books, the author Philip Cornwel-Smith and principal photographer John Goss.
On exhibition in Ayara Hall were a selection of photographs from the book by John Goss & Philip Cornwel-Smith. John had these printed onto translucent stickers affixed to shiny aluminium plates for a shimmery, pop effect. Around the displays, which were painted in the bright hues of the book was an installation of tiny plastic chairs. The exhibition continued for several days after the party. The event drew several rave reviews.
‘As a former travel trade journalist and as a frequent freeloader at parties in Bangkok hosted by both the big and small of luxury hotels, big business, pr companies, etc, I am still in awe. Your party last night was simply the best, most well conceived and delivered, truly original theme party I have been to … ever. Only two others could compare, both organized by big money with professional event planners. To all those involved in last night’s event, a standing ovation. Well done.’