All reviews and features are listed in full chronologically below the 'Select Review Quotes'. For individual reviews click on a quote or a media listing on the right.

Select Review Quotes

  • ‘This is the book I wish I’d had when I first came to Thailand.’
    — Alex Kerr, author of ‘Lost Japan’
  • ‘A unique guide to Thai pop and folk culture. Future social historians will thank Cornwel-Smith.’
    — Andrew Marshall, Time magazine
  • ‘An entertaining and provocative look at Thai culture.’
    — John Burdett, author of Bangkok 8
  • ‘Philip Cornwel-Smith is writing in a way that I like, with an electric eye for the streets.’
    — Lawrence Osborne, author of ‘Bangkok Days’
  • ‘A thrilling, trail-blazing book of cultural history… A work of astounding breadth and erudition. Very Thai has few, if any, English-language equals.’
    — Nick Grossman, Bangkok Post
  • ‘A more sophisticated guide to the country’s contemporary culture’
    – Conde Nast Traveller
  • ‘A brilliant book-length photo-essay… Cornwel-Smith writes with astute animation.’
    — Donald Richie, Top 3 Books on Asia 2005, Japan Times
  • ‘Required reading for visitors, residents and anyone anywhere interested in what makes Thailand tick.’
    — Jennifer Gampell, Asian Wall Street Journal
  • ‘With a wit that suits the Thai spirit, Very Thai explains with delicateness things that Thais regard as indelicate. An important source that reflects modern Thai consciousness.”
    — Pracha Suweeranont, Matichon Weekly
  • ‘It was about time that somebody wrote something worth reading about the Thai culture. Philip Cornwel-Smith does that, and does it well. Read Very Thai. You’ll be glad you did.
    — Bertil Lintner, The Irrawaddy
  • ‘It is truly so much better than any other “guide”.’
    — Paul Dorsey, The Nation
  • ‘Very Thai is the first in-depth examination of Thai popular culture.’
    — Jason Gagliardi, South China Morning Post
  • ‘Answers and insights aplenty in this erudite, sumptuously photographed guide to contemporary Thai culture.’
    — Lucy Ridout, Rough Guide to Thailand
  • ‘Very Thai shines a loving light on the minutiae of everyday life. The book is equally fun and authoritative.’
    — Andrew Marshall, The Australian
  • ‘Pick of the Picture Books. Very Thai is an attempt to capture the complex realities of Thai culture, a blend of finesse and fun which fuses folk tradition with hi-tech and bling. Here are fascinating glimpses of high life, low life, street life and, er, Honda life.”
    — The Independent newspaper (UK)
  • ‘The publishing sensation of 2004. This book is a revelation of all those things we thought we’d never understand.’
    — Vaudine England, Dateline, Foreign Correspondents Club of Thailand
  • ‘A delightful read and a wonderful roadmap to diverse elements of Thai Popular Culture.’
    — Gerald W Fry, Historical Dictionary of Thailand
  • ‘No other author has delved so deeply into the subconscious of Thai popular culture in such an intriguing, eye-opening way. You’ll love the insights gained from reading this best-seller. Wonderful photography too!’
    — Nancy Chandler Map of Bangkok

Reviews in Full

May 4, 2019

Art4D (on impact of book)

Review post on Facebook by Art4D editor.

Since the first edition of Very Thai was published in 2005, the book has become influential to a great number of people in the design industry. Perspectives have been broadened as many take a different look at everyday objects in the city they live in. The mundaneness has been given new values. But in an even bigger picture, the term ‘Very Thai’ has become a description that people use to express quintessential Thai characteristics of an objects, place or to define certain behaviors. To us.’very Thai’ is like a ‘grey area’, it doesn’t always denote the notion of ‘greatness’ conventionally defined by the state. At the same time, it doesn’t necessarily possess any meanings that are entirely ‘negative’.

art4d had a chance to sit down with Philip Cornwel-Smith, the author of both the editions of Very Thai that was released respectively in 2005 and 2013. We were interested in what he had witnessed throughout his 25 years of living in Thailand. Our conversation jumps from a recollection of Bangkok before the birth of Very Thai, to his observations on ‘Thainess’ all the way to the ‘self’ of the city such as Bangkok.

Originally published in the supplement of art4d No. 266. Meet art4d at the Architect’19 at F205-1, 10th post. Until May 5th 2019 at Challenger Hall 1-3, Impact Muang Thong Thani

Read on art4d.com/2019/05/looking-through-very-thai
_

Interview by piyapong bhumichitra / Kanokwan Trakulyingcharoen / paphop kerdsup
Photo: Ketsiree Wongwan 

#art4dREAD #art4d

art4d READ : Looking Through Very Thai

หลังจากที่ Very Thai ฉบับแรกถูกตีพิมพ์ในปี 2005หนังสือเล่มนี้ได้ส่งอิทธิพลต่อคนในอุตสาหกรรมสร้างสรรค์ไม่น้อย มันเปิดมุมมองให้ผู้คนได้มองสิ่งของในเมืองต่างไปจากเดิมและให้คุณค่ากับสิ่งเหล่านั้นมากขึ้น ในภาพที่กว้างกว่านั้น คำว่า Very Thai กลายมาเป็นคำที่คนทั่วไปนำมาใช้เรียก สิ่งของ / กริยา / พื้นที่ประเภทหนึ่งที่ “ไทย” มากๆ เราคิดว่าคำว่า “ไทยมากๆ” มีความหมายเทาๆ เพราะมันไม่ได้หมายถึง “ความดีงาม” แบบเดียวกันกับความเป็นไทยที่รัฐสถาปนาขึ้นมา แต่มันก็ไม่ได้มีความหมายในแง่ลบแต่อย่างใด
art4d มีโอกาสได้สัมภาษณ์ Philip Cornwel-Smith ผู้เขียน Very Thai ทั้งสองฉบับที่ตีพิมพ์ในปี 2005และ 2013 ถึงสิ่งที่เขาเห็นตลอดระยะเวลา 25 ปี ที่เข้ามาใช้ชีวิตอยู่ในประเทศไทย ตั้งแต่การย้อนกลับไปพูดถึงบรรยากาศในกรุงเทพฯ ก่อนและหลังการตีพิมพ์ Very Thai ทั้งสองฉบับ ข้อสังเกตของเขาต่อคำว่า“ความเป็นไทย” ไปจนถึงตัวตนของเมืองกรุงเทพฯ เอง
บทสัมภาษณ์จากหนังสือเล่มเล็กที่มาพร้อมกับart4dเล่มที่ 266 สามารถหาซื้อได้ใน งานสถาปนิก’62 ระหว่างวันที่ 30 เมษายน – 5 พฤษภาคม 2562ที่ชาเลนเจอร์ฮอลล์ อิมแพ็คเมืองทองธานี (พิกัด: art4d ตำแหน่ง F205-1เสาต้นที่ 19)

อ่านได้ทาง art4d.com/2019/05/looking-through-very-thai

Posted in: Blog
April 7, 2019

Art4D (interview)

Looking Through Very Thai

Art4D magazine interview supplement explains beyond the book.

An interview Philip Cornwel-Smith did with the architecture and design magazine Art4D on his 25th anniversary in Bangkok they turned into a free 32-page colour booklet! In both English and Thai, it goes into depth about the book and its effects, and probes his thoughts about Bangkok city for their issue theme of ‘Urban Reflections.’ It is an experimental new format for Art 4D, so thanks to the Art4D team for your generosity. It was great working with you. #verythai #verybangkok

For the full interview in English and Thai, please go to:

http://art4d.com/2019/05/looking-through-very-thai?fbclid=IwAR2Awh3TbNToEIAZjRMf-nXpT8fShX2vHDLxrE-XMUopOwjL4nfq6RlsLoA

All pictures courtesy Art4D

Posted in: about the book
February 7, 2019

City Life

Very Observant

An interview with Very Thai author, Philip Cornwel-Smith, In Chiang Mai’s City Life magazine.

Exactly 25 years to the month since he first visited Chiang Mai, before settling in Bangkok, Philip was interviewed by City Life editor Pim Kemasinki, who did her first paid writing two decades ago for the magazine Philip was editing, Bangkok Metro.

“Thais are not allowed to have fun with traditions,” said Philip Cornwel-Smith, author of the wildly successful book on Thai popular culture, Very Thai, now in its 10th printing and second edition. “It is very difficult to go against the master template, so Thais have always got their novelty from bringing in things from the outside. Being very receptive to imports, Thais have fun with it. God forbid you have fun with traditions!’

Philip has a knack of saying something obvious, or seeing something interesting, that hadn’t been said nor seen before. Which is why his book, published in 2005 (and seen prominently displayed in every bookshop nationwide ever since), took the country by storm. Here was this Englishman showing us Thais an embarrassment of cultural riches that had previously gone unappreciated. It was discombobulating, inspiring, empowering and most of all sanuk.

Having studied word history at Sheffield University, where the focus was less on wars and nation building, and more on culture, invention, religion and other such factors that build and destroy nations, followed by years working for Time Out London, Philip had a solid background in looking at culture from different perspectives. Serendipitously, on a layover in Bangkok on the way back from Australia in 1994, he was asked to start Bangkok’s first city listings magazine, Bangkok Metro, which would a focus on popular culture.

“Within four days of being in Bangkok I found myself editor of a city mag which soon had 1,000 listings,” said Philip. “People were instantly shocked to learn of so much variety in the city. The transport problems in those days meant that it took two hours to travel from Ekamai to Lumpini, so most people didn’t venture far out of their five or six known areas. But when they saw in Metro how many things were going on, they began to venture further. The mag was all about pop culture. I was coming at it with outside eyes, but it didn’t take long to become a semi-insider. With my background, I had a view that popular culture is an attraction that people would travel for. Up to that point it wasn’t treated with the seriousness of formal culture; there was shame associated with street life that city-sophisticates were embarrassed by.”

As not just an observer, but an influencer of Bangkok’s pop culture, by the time Philip left Metro in 2002 he had begun to put down thoughts and ideas that would eventually come together in Very Thai.

“I’d become fascinated by then-obscure things such as the ecology of the streets,” Philip explained of how his book came about. “In Thailand so many things are to do with rice and monsoon cycles, and this explains so much about the people, especially the need for village communities to develop in a reciprocally helpful way. This value was brought to the streets of Bangkok with the mass migration of rural people into the city. The co-op ethic is vastly different from the formal bourgeois attitude of the urban people: open shop houses, street vendors looking after one another’s stalls and even kids, motorbike taxis being socially helpful by directing traffic, running after thieves and delivering packages. It is a reciprocal village value but in the big city, which gives Bangkok a warm charm you don’t get inside the malls.”

“I wrote the book thinking there would be a market amongst expats like me,” he continued. “But I was as surprised as anyone at the massive splash the book made. Immediately the biggest and most loyal fan base became the young Thai Indies in the creative industry. I have been told that the book was almost definitive for them; they had been aware of these things, but because pop culture wasn’t treated seriously, they weren’t legitimate topics to work with. Suddenly low culture was put into a high culture format — an illustrated hard cover book — it was like putting something lowly on a high-status plinth. It suddenly legitimised these things and opened them up for exploration.”

Very Thai asked questions and attempted to offer explanations for such random and obvious things as the Thai sniff-kiss, why Thais use those ubiquitous thin pink napkins, why motorbike taxis wear different coloured vests, and what’s up with all the neon lights?

“A lot of these things soon became cultural signifiers,” said Philip. “The idea that middle class Thais would go around taking photos of street vendor carts was absurd until the book came out. Today you have places like Plearnwan in Hua Hin which is a virtual theme park for such streetlife. What was interesting to me was that none of it was wholly traditional and none of it was modern. It was all hybrid. Look at the neo-classical architecture of shop houses, or the vehicles decked out in auspicious décor. Tuk tuks were originally Italian, then Japanese, but even though 34 countries around the world use the tuk tuk, they are very Thai. They used to have words such as Daihatsu on them, but after the 1997 crash they started having ‘Thailand’ emblazoned on the back with red, white and blue colours. If you really look at them, they are a short stubby vehicle, but with a real elegance, because they use ancient forms and lines of oxcarts and long tailed boats.

Thailand saw such great change between the end of the Second World War and the early 2000s. It wasn’t a slow cultural change; it was a deluge. This led to a lot of impromptu solutions to things. Especially with the low income people – they began to jury-rig things, and do a lot of improv. This led to a great amount of creativity. You can see this clearly when thinking of the Thai temple fairs. It is little known that they came about when Field Marshal Plaek Phibunsongkhram, in the 1950s, promoted them as a way to bring modernity to rural villages. Technology, modern medicine, outdoor cinema propaganda, these were all introduced, as a national policy, through temple fairs. People would then localise them to their own tastes. I have noticed that there are a lot of taboos about updating traditions, but Thais have a natural sense of fun and creativity, so they played around with new and modern imports. It’s quite interesting to see how, whatever the authorities do, simply becomes less fun!”

From observing pop culture phenomena, Philip has just about turned into one himself, with fans of the book sometimes asking to take selfies with him. Very Thai has been subject of numerous artworks and exhibitions and Philip is a frequent guest lecturer at various universities. One designer wrote recently on Facebook, “The defining moments for me as a Thai designer, both in was the mid-2000s. were the discovery of the book Very Thai, and visiting the Isaan Retrospective exhibition at TCDC.”

Which brings us to why we have chosen now to interview Philip who, until the end of this month, will be co-curating a fascinating little exhibition at TCDC Chiang Mai called Invisible Things. Together with TCDC and the Goethe Institute Bangkok, Philip and exhibition designer Piboon Amornjiraporn put together a collection of 25 everyday items which ‘we take for granted and no longer perceive, but which in fact influence our consumer behaviour’, according to the exhibition’s booklet. The selection of Thai objects echo a collection of German objects on the other side of the room, curated by Martin Rendel, which are on a tour which started in China.

Displayed are packets of mama found in every single Thai household, the largely unnoticed dragon jars sitting in nearly every garden, the sin sai white strings used in a bewildering number of ways from house blessing ceremonies to greeting a guest, and the omnipresent fisherman pants which Philip describes as Thai to the core, “Many cultures have some kind of wrapping trousers,” explains Philip. “Yet it is known internationally as a Thai thing. I find it very Thai because it is extremely flexible and adaptable, infinitely expandable and practical. It represents Thainess internationally.”

“One classic example of an invisible thing is the red Fanta bottle. Interestingly Thais prefer drinking green Fanta, yet millions of red Fanta bottles are left open on alters, shrines and spirit houses nationwide. Next to flowers and incense they are probably the most common offering. There is no definitive explanation for this so I called my spirit medium friend — as you do in Thailand — and was told that the red represents blood which the low spirits, the demons, like. Other people say it’s simply because the bottles are sturdy and don’t blow over or that spirits want modern pop drinks too. Whatever the reason, they are found everywhere, even by the feet of the Yaksha giants at Suvarnaphumi Airport!”

Philip went on to offer a warning, however, that the era of localising imports into Thainess is nigh. “With modern communication you can get everything instantly. We are no longer a decade behind Milan in terms of fashion, because of YouTube. There is no delay in knowledge getting to Thailand. People want objects in their purest forms and they can both afford them and have them immediately — whether a Samsung tablet or a handbag. Every culture is a hybrid to some degree, but the whole world is facing unrelenting sameness. Because of the ability of digital technology, innovation isn’t happening as much in the physical form. It’s shifted into a different realm, one that’s not tactile. Whereas you used to improvise and create a hybrid, now you just get the thing you need to do the job. It’s samey everywhere. Invisible things are becoming visible.”

Invisible Things Exhibition
at TCDC Chiang Mai
Open 10.30am – 8pm
Tel. 081 833 4566
Until the end of February

Posted in: Article
December 22, 2018

Saran Yen Panya

“The defining moment of design students like me was the mid 2000s. There are two: the discovery of the book Very Thai, and visiting to Isan Retrospective exhibition at TCDC. The upshot was: how to think and how to work as a Thai designer from that time onwards.”

– Saran Yen Panya, designer and director, 56th Studio

Writing on Facebook about his design for the exhibition ‘Look Isaan Now’ at TCDC Khon Kaen, 2018-19

 

 

Posted in: Blog
September 8, 2018

Order Threatens Bangkok’s Charm

Very Thai author Philip Cornwel-Smith was interviewed about the crackdown on Bangkok street vending in this cover story of The Nation newspaper.

 

http://www.nationmultimedia.com/detail/national/30353985

 

Posted in: Article