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By Andrew Walker, New Mandala
— Angela Savage, author ‘The Half-Child’ and ‘Behind the Night Bazaar’
— Mike, Noodles Forever
— Hartfried Schmid, Flickr
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Very Thai is #1 in blog’s list of “10 Thailand Souvenirs that Don’t Suck”
The book Very Thai has been named by the blog Rice/Potato as the #1 item in a list of “10 Thailand Souvenirs that Don’t Suck’!
1: ‘Very Thai’ book
Ever wondered about the meaning of taxi talismans, the life of Bangkok’s ‘hi-so’ crowd, or why drinks are often served in plastic bags? Philip Cornwel-Smith’s Very Thai gives a fascinating insight into the colorful everyday life of Thailand’s residents and shines a light on aspects of everyday pop culture, Thai design, and ancient traditions. This book is essential for anyone who wants to take a deeper dive into contemporary Thai culture. A lot of ‘Ah, that’s why!’ moments guaranteed.
Where to find it:
Available at most branches of Asia Books. (THB 995,-)
by Paul Dorsey
Philip Cornwel-Smith and ‘Very Thai’ feature on this comprehensive Facebook list of all books about Thailand by expatriate authors.
Thainess Made of Other Things
Bangkok. Philip Cornwel-Smith is giving a talk about “Very Thai Cultural Filters: How hybrids preserve and project a sense of Thainess” this Saturday, 8 March, at Thailand Creative & Design Center (TCDC) at the Emporium. I am sorry to miss it since I am going abroad tomorrow. Cornwel-Smith is the author of Very Thai: Everyday Popular Culture which I have recommended ever in Bangkok von innen since I came across it for the first time.
In his now famous book, Cornwel-Smith tries, among great other reading material, to explain the way how very ordinary things can acquire and produce a common sense of “Thainess” in Thailand. You might get answers to the question how everyday goods and services can be imbued with a marketable “Thai” character during his talk on Saturday,
Quoted from the advance notice:
Thai culture has for centuries been highly porous to outside influence, yet Philip shows how Thais have maintained their culture by localising imports in distinct ways. This can be done through applying traditional materials, techniques and decoration, or by keeping the import’s form whilst replacing its original philosophy with one that resonates to Thais. Instead of direct copying, inventions from elsewhere have been riffed into hybrids that involve a shift in meaning. Thais have even turned Thai-foreign hybrids into icons of Thainess to be reprojected abroad as symbols of the country.Cultural filters that make Thai consumption of imports selective draw from instinctive cultural values. Now that Thailand faces increased global competition, the challenge is to create cultural filters that select aspects of Thainess appropriate to outside consumers.
In short, this talk is going to be about international mainstream and how to impose a Thai identity on it.
I offer a personal view on this subject or perhaps, as I probably should put it more accurately, a comment.
During history, people in Siam at times quickly lost their heads, if they were not mainstream. Still today, some may spend 18 years or more in prison and may loose everything they have including their social recognition), if they are not mainstream.
It is only my personal feeling as a foreigner, that this fact might add to various forms of “typical” Thai behaviour (with strong foreign elements in it), that most of us would regard as outdated? Or, in some cases, even regard as undignified?
For instance, I do not believe that, 68 years after Nazi-Germany has been buried in the abyss of history, any of us youngsters under the age of 60 is capable to imagine, how a person feels while being forced by strong social constraints to stand to attention twice a day in public while listening to the national anthem which everybody is forced to hear on every public place in the country. A practice, which has been introduced in a time, when European fascist leaders’ personality cult was widely seen as a great role model für Siam.
Possibly apart from devout Christians, most Europeans also can hardly imagine how it feels to seriously “wai” a spirit house in which a strong spirit is known to stay. And very few of us can imagine to cringe in front of persons which are not more human than we are. Finally, how does it feel sharing a great love with all my friends and family for cheaply-produced plastic items that everybody simply “has to have” just to be socially recognized? Do you know? I don’t.
All these “typical” Thai habits have a very strong froreign taste, they are no typical Thai specialties or inventions, despite the fact that some people like to think so.
As for me, for instance, I simply cannot imagine how it feels to stand to attention in public places like a pillar of salt, having to listen to some extremely old-fashioned sounds, which do not really represent my favourite music style and, above all, looking statesmanlike while doing so. This is just because I never did so and I will probably never do.
However, recently at the beginning of my fourth decade of Thailand-experience, I actually started to ask myself once, how I could actually love my own country without having to stand to attention twice a day and moreover, sadly, not even having a king anymore in my country who would be like a father to me? The answer was: I love my country, for instance, precisely for the fact that I am not being urged to stand to attention at any place or to crawl in front of anyone or listening to any music that other people want to put on me.
What I can imagine, however, is this: How a schoolboy would feel if he is the only one in his class without an amulet (or any other fetish) around his neck, or a yellow (or any other) bracelet around his wrist with some magic or special formula printed on it. A magic or a formula which at the same time would be propagated in school, on TV, on public places, just everywhere.
I can imagine the feelings of such a schoolboy, because I might have been this boy myself if I had been born in Thailand. Simply because, as a matter of fact, I am medically allergic to many things, like raw hazelnuts (fortunately I can eat them after they are once heated up for cakes and chocolate…), jackfruit, cantaloupes, latex, and some pollen.
Moreover, I have been also socially allergic to things that “everybody has to do” since I was a lttle boy.
In my fifth class in school, there was a teacher who even wrote this into my school report, of course without any serious consequences except some raised eyebrows in the family. But what would have happened in a mainstream Thai school? Can we rule out that they would not have tried to beat out such a socially unacceptable behavior from me at an early time?
Enough. Please do not miss Philip Cornwel-Smith on Saturday, 8 March at the TCDC, 6th Floor The Emporium Shopping Complex, 622 Sukhumvit 24, Bangkok 10110. If his talks on Saturday are only half as interesting as his writings, it has to be a great lecture.
The talk “Very Thai Cultural Filters: How hybrids preserve and project a sense of Thainess” starts at 2 p.m. Admission is free, but it is recommended to register for a seat at the Online Reservation System or at TCDC Information Counter, phone (02) 664 84 48, ext. 213, 214.
Posted on 27/11/2013
I’ve developed a passion for Western Australian fiction, this year reading Simone Lazaroo’s The Australian Fiancé, Julienne Van Loon’s Harmless, and the second novels in crime series by David Whish-Wilson and Felicity Young. On my TBR pile, I have Fractured by Dawn Barker and Elemental by Amanda Curtin. I’m also keen to get hold of Sara Foster’s Beneath the Shadows, described by one reviewer as showing ‘a quiet, non-violent mystery can pack a lot of punch’. Dawn, Amanda and Sara are part of a collective of writers in WA, together with Emma Chapman, Natasha Lester and Annabel Smith, who have a monthly discussion via their blogs on a question about the writing life.
I was inspired by their posts on being another author for a day to write my own version. This month, I’m delighted to be their guest blogger as their Writers Ask Writers series considers tools of the trade: What do you need to have around you in order to be able to write? Certain music? Special notebooks? Apps? Books? Pens?
Their questions made me realise that my writing tools are so basic, they’re almost quaint. I write my first draft using a notebook. Not a notebook computer, but a genuine, old school, tree-killing notebook. I write with a pen. Or pencil. Even a texta will do and, at a push, a lip liner. I’m not fussed.
My preferred notebook is the Marbig A5 ‘Colour Hide’, vertical spiral bound with a cardboard pocket at the front. I also love Chinese-made notebooks with nonsensical English phrases on the cover like ‘Health is the thing that makes you feel that now is the best time of the year’ and ‘I know that I’m too young to be in love, but I know that I like you much.’
But if I forget my notebook, I’ll scribble notes on whatever scraps of paper I can find—receipts, envelops, train tickets, business cards.
These simple tools suit my style. I’m not a planner. Writing for me involves a lot of what Marele Day calls ‘research in the imagination’ and Barry Maitland calls ‘mulling’; I think of it as percolating a story. An idea for a snatch of dialogue, a metaphor, a character’s distinguishing feature can come at any moment, and the less rigid my writing needs, the easier it is to capture inspiration when it strikes.
My Jayne Keeney PI crime fiction series are set in Thailand in the late-1990s. Among my essential reference materials are several books on Thai language, and Very Thai by Philip Cornwel-Smith, a guide to everyday popular culture in Thailand. I rely on old travel guides to help me recreate the period, as well as journals I’ve kept of the years when I’ve lived in or travelled to Thailand.
Of course, I’m not so old school that I don’t do online research. I transfer my handwritten notes on to my Macbook Pro (aka ‘The Preciousss’) and use the internet to check facts, maps and geographic features.
But secondary sources only ever get you so far, and in my experience, to make a setting come alive, you need to do fieldwork. This leads me to my other important tool of the trade: my passport.
I’ve posted here, here and here about the value of scouting locations for my stories. That my commitment to fieldwork requires me to spend time in exotic tropical destinations is just one of many ways I suffer for my art.
Now read about what these other authors say about their tools of the trade:
‘One of the best things about writing is that it doesn’t require many tools,’ writes Dawn Barker, before making want to go out in search of the Oxford American Writer’s Thesaurus. Emma Chapman‘s tools of the trade help her focus and include an intriguing ‘inspiration board’… Amanda Curtin loves all forms of stationery, though not as much as her late cat Daisy, who ‘once famously ate all the post-it notes off the side of a manuscript.’ Sara Foster‘s writer’s toolbox turns out to be more extensive than she first imagined. I concur with her on the writer’s most precious tool of all. Natasha Lester‘s enthusiasm for the writer’s software Scrivener borders on evangelical, though she also pines for a waterproof notebook for those ideas that come in the shower. Annabel Smith shares my love of note taking. Using the kind of notebooks favoured by Hemingway makes her feel ‘part of a great and noble tradition’, though I wonder what Hemingway would make of her other tools like Evernote and Scrivener.
Collectively, these writers go through a hell of a lot of herbal tea and Lindt chocolate. What about you? Are there certain things you need to have around you in order to write — or to read for that matter? What are your tools of the trade?
Cockfighting in Rural Thailand
Last week, a young American posted on his travel blog numerous pictures, a video, and an interesting narrative describing a cockfight he attended in rural Thailand. Bradley, who describes himself as “a 25 year old dude from California,” lives and teaches English in the rural northeastern part of the country.
He explains that he was at first hesitant when he was invited by a couple of his colleagues to attend the cockfight with them. His narrative of the events at the fight gives his perceptions of cockfighting and the ways the Thai react to such violence. His description, photos, and video portray the scene quite effectively.
The facility, called “the farm,” consists of a large, metal-roofed structure housing a rink which is surrounded by four rows of concentric, stadiumstyle seats. Fluorescent lighting above the main pit adds to the clean, wholesome impression of the place. A restaurant is on the premises, and beer and alcoholic beverages are available. Bradley indicates that there are four smaller side pits on the periphery of the main arena.
Posted in: Reviews,
It has been a long time coming, but the bestseller “Very Thai: Everyday Popular Culture” has just come out as an expanded and fully updated 2nd edition with many new photographs. According to the author, Philip Cornwel-Smith, this is “a heavily rewritten, updated and expanded new version of the original Very Thai. Plus 4 new chapters.” The first edition came out in December 2004 and was an immediate bestseller. Since then it has been reprinted four times in July 2005, January 2006, February 2007 and January 2008.
I already have the first edition and highly recommend it to anyone with an interest in Thailand. I just bought myself a copy of the 2nd edition of “Very Thai” at Asia Books in Bangkok. The price for this hardback book is 995 Baht. I’m looking forward to learning a bit more about the real Thailand.
An interesting book for Thailand-lovers that shows and explains the small day-to-day things that make Thailand unique. The four sections Street, Personal, Ritual and Sanuk (‘fun’) each describe in colourful detail why for example those little pink tissues are pink, the Thai love for uniforms, the little altars in taxi’s and the popularity of yaa dong. Illustrated with a lot of photos. A good browse. [coffee table book]
By Catherine Wentworth • October 1, 2012
Very Thai: Everyday Popular Culture…
As a tourist to Thailand I enjoyed experiencing a country so very different from where I was living at the time, Brunei Darussalam. Being able to buy booze without leaving the country was also an attraction.
But when I finally moved to Thailand I switched from a carefree tourist mindset to expat mode. The country around me, previously a kaleidyscope of sounds, smells, and clashing colours, started to come into focus.
Along with the focus came questions. Like, why do Thai taxis have those dangly bits hanging from their mirrors? And why do beggars crawl face first along the sidewalk? And why are Thai police uniforms so darn tight?
When I asked other expats their answer was always the illuminating (not) “I dunno”. Being me, I needed more, so I started my own search into the why’s of Thailand. Hit and miss, the answers to a few Thai quirks are discussed in posts on WLT.
Then I found Very Thai: Everyday Popular Culture, by Philip Cornwel-Smith. Very Thai answered many of my “why” questions, and some I hadn’t thought of yet. And now I hear there’s a Very Bangkok in the works. Excellent!
These days, when a new expat breezes into Thailand, I don’t arrive at their housewarming party with the obligatory bottle of wine and chocolates. I gift them with a copy of Very Thai instead.
Very Thai Photo Exhibition…
On Sunday I jumped into a taxi to view the Very Thai Exhibition in front of ZEN in Bangkok.
You really can’t miss it as the presentation is well placed.
It’s a small exhibition with larger than life-sized photos from Very Thai.
I wasn’t the only one curious, a stream of viewers kept popping in front of my camera.
Many found it easy to walk along the exhibition slowly, savoring the eyecandy as they went.
This photo was my favourite eyecandy of all.
While there it came to me that the photos from the exhibition would be the perfect backdrop for smartphone snappers in Thailand. Because, except for in grocery stores (where it’s off-limits to take photos of veggies) you’ll find people posing in front of just about anything. And I still don’t know why that is.
Sidenote: the editor of Very Thai is Alex Kerr. You might remember the review I wrote of Alex’s excellent Bangkok Found awhile back. And seriously, if you want to know more about Thailand, you couldn’t go wrong with both Very Thai and Bangkok Found on your bookshelf.
10 Responses to “ Very Thai Photo Exhibition: Bangkok ”
Disclaimer: The last photo has been doctored. The lovely Thai lass generously posed in front of a different set of photos but I felt driven to move her back a bit (all the way to the beginning of the exhibition).
Danyelle Franciosa Oct 2nd, 2012 at 6:29 am
That was extremely beautiful and great photo exhibition in Bangkok. The place are great and good for relaxation. Thanks a lot for sharing this!
Thanks for stopping by Danyelle 🙂 The exhibitions is so colourful and fun, I’m expecting to see photos on FB with different people posing in front of the posters.
Love that exhibition! I have not yet read the book, though I really REALLY would love to get my hands on a copy. I plan to buy one when we visit again.
Another book with great photos is Bangkok Inside Out by Daniel Ziv and Guy Sharett, but I think it is out of print. It caused a stir with Thailand’s Ministry of Culture with the photos of some of the sex workers in the red-light district.
Amy recently posted…Modifying food choices even further
Hi Amy. It if you enjoyed Bangkok Inside Out, you are going to be blown away by Very Thai. Philip has a passion for hunting down the tiny details of the popular culture and history of Thailand and it shows in the book. You can get Very Thai on amazon.com but if that’s what’ll take you to get back here, even for a visit, then I’m all for it 🙂
Catherine recently posted…Thai Navy Dances Gangnam Style: Youtube Sensations
Catherine – Thailand has many strange ways and many unanswered questions including the one shown in your bottom photo. Why do Thai women make the Thai two finger salute when posing for photos and what does it mean? I tried to answer that one myself a couple of years back and came to the conclusion it dated back to Siam’s war with Burma in 1767 and their(Siam’s) soldiers index and middle fingers used to draw a bow. If taken prisoner the Burmese would cut them off. However, right or wrong there’s still many answers to Thais strange quirks I’d like to know.
Martyn recently posted…The Sea Side 2 Restaurant in Udon Thani
Thanks Martyn. I remember when you wrote the article about the two fingered salute. When I went to Burma early this year I took a photo of a Burmese girl who gave the same. As soon as I pointed my camera at her, just like the gal in the photo above, she whipped out those two fingers. So perhaps it’s doesn’t have anything to do with Burma vrs Thailand? Or… it could be that she knows nothing of the history behind the finger salute. An unsolved mystery.
Catherine – Perhaps the Burmese archers made the same sign back to the Siamese. Here’s the link to the post;
Martyn, that could be it. Back then armies fought mostly close together (unlike now). So both sides taunting each other makes sense. I need to reread Very Thai to see if there was a mention anywhere (it’s been years).
Catherine Wentworth recently posted…Review: Language Learning Log
I bought this book as a present for my parents on my first stay in Thailand. Disappointingly, they never gave it more than a cursory look. Such a shame as I think it still holds up as one of the best insights into Thai culture available in printed form. Your idea of using it as a housewarming gift, Cat, is a magnificent one too. Here’s hoping Very Bangkok is out by the time I make my next trip!
Also if anyone’s still reading this thread, Alex Kerr is the author of a couple of excellent books on Japanese culture (Lost Japan is one, the other slips my mind just now (maybe it’s called Dogs and Demons… not sure). Highly recommended if Japanese culture interests you.
Very Thai Exhibition in front of ZEN in Bangkok
by Richard Barrow on September 29, 2012
One of the best books about Thai culture and life, Very Thai by Philip Cornwel-Smith, now has a photo exhibition in front of ZEN in Bangkok. The exhibition runs from now until 6th December 2012. ZEN is part of the CentralWorld complex and has easy access from BTS Chidlom. The free exhibition is outside so check the weather report first. For more information, check out the Facebook page for Very Thai.